Abstract
How have museums engaged the debates about human atrocities? This lecture explores the development of permanent exhibitions and museums dedicated in part or entirely to address the problem of slavery and the Atlantic slave trade in England, France and the United States, by examining the cases of the Nantes History Museum, Museum of Aquitaine, the International Slavery Museum, and the National Museum of African American History and Culture. I contend that the official memory of slavery is shaped by other modalities of memory (collective, cultural, and public) but in various nations it also depends on government involvement in publicly and privately funded initiatives. Therefore, although official, these memories are not static. They remain dynamic like the societies where they emerge. The inclusion of slavery and the Atlantic slave trade in the museum exposes the nuanced approaches through which each country engages with its own black and white communities. It also reveals how each nation deals with its regional, national, and international pasts, where racism and white supremacy persist.

Ana Lucia Araujo is a social and cultural historian. Her work explores the history and the memory of the Atlantic slave trade and slavery and their social and cultural legacies. In the last fifteen years, she authored and edited over ten books, including Reparations for Slavery and the Slave Trade: A Transnational and Comparative History (2017). Her next book Slavery in the Age of Memory: Engaging the Past will be published in 2020. She is a member of the Board of Editors of the American Historical Review and a member of the editorial board of the journal Slavery and Abolition. In 2017, she joined the International Scientific Committee of the UNESCO Slave Route Project. Currently she is a full professor in the Department of History of the historically black Howard University in Washington DC.